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Change, the delicious poison to which we are all dependent, and which inevitably leads us to our own demise, is the common theme of the artists and great minds profiled in this issue: Jonas Akerlund re-imagines our fascination with contemporary superstardom which has reached religious fervor; Steven Cox, a most traditional painter who upsets the Australian art establishment with his confrontational subject matter and outspoken politics; photographer Rick Castro dedicates his oeuvre to erotic art of the most edgy subject matter; pre-eminent art expert and dealer Gerard Faggionato speaks about the international art world; curator Eiko Honda and artist Mark Dion converse about the political issues in the natural sciences and 19th century museum displays; fantastical and daring architect Jakob Tigges designs imaginary mountains and permanent bad weather systems; Frank Marshall portrays African masculinity posing in Tom-of-Finland meets Elvis Presley drag; and all of them embody change.

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