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Cinema Scope - WINTER - #65

In this issue:

INTERVIEWS:
Two Years at Sea: An Interview With Mauro Herce - By Jay Kuehner

Punch-Drunk Love: Josh Mond’s James White - By Adam Nayman

Body Politic: Gabriel Mascaro on Neon Bull - By José Teodoro

FEATURES:
Failure Hasn’t Spoiled Him Yet: Alan Zweig Succeeds in Spite of Himself
By Jason Anderson

Live in Black and White: Stan Douglas’ Helen Lawrence - By Michael Vass

Landscape Suicide: The Films of Daïchi Saïto - By Jordan Cronk

Želimir Žilnik: Not Reconciled - By Celluloid Liberation Front

Mother of All of Us: Ida Lupino, The Filmaker - By Christoph Huber

COLUMNS:

Editor’s Note

Deaths of Cinema: La Ressasseuse: Chantal Akerman, 1950–2015 - By Kate Rennebohm

Global Discoveries on DVD - By Jonathan Rosenbaum

Film/Art: Ali Cherri - By Andréa Picard

Exploded View: Peter Mays’ Death of the Gorilla - By Chuck Stephens

SPOTLIGHT: Fall Festival Highlights

Chevalier by Samuel La France

Trois souvenirs de ma jeunesse by Max Nelson (Subscribe)

Blood of My Blood by Blake Williams

Homeland (Year Zero) by Steve Macfarlane (Subscribe)

The Waiting Room / How Heavy This Hammer by Sean Rogers (Subscribe)

Kaili Blues by Shelly Kraicer

Office by Daniel Kasman (Subscribe)

Happy Hour by Michael Sicinski

CURRENCY:
Carol by Phil Coldiron

Anomalisa by Richard Porton (Subscribe)

Bridge of Spies by Adam Nayman (Subscribe)

The Visit by Adam Cook (Subscribe)

Room by Angelo Muredda


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